A neon drive-in casts long shadows across a vast parking lot as the sun drops behind a distant hill. A large neon sign buzzes in the foreground. . . Mel’s Drive-In, while in the background, “Rock Around The Clock” blares from the radio of a beautiful decked and channeled, white with red trim, tuck-and rolled ‘58 Chevy Impala that glides into the drive-in.
The opening scene in American
Graffiti
from the original script.
We lived American Graffiti in Marion, Indiana --
my home town. Custer’s Last Stand
was the Mel’s Drive-In of “Marion Graffiti”. I imagine every teenager of the fifties and early sixties
had a Mel’s Drive-In or a Custer’s Last Stand in their town that evokes the
same wonderful memories of those by-gone innocent days of a high school
summer. Custer’s Last Stand was a
classic 1950’s drive-in restaurant on the by-pass. It was Bob Custer’s place. It was our place.
It was the gathering place on those warm Indiana nights
A driver’s license and a car were the only
passports needed to participate in the rituals of youth at Custer’s Last
Stand. Transportation came in a
variety of shapes, sizes and ownership.
It might be a friend’s car, your family car, or if you were lucky, your
own car. I was one of the lucky
ones.
My car looked like it might belong to a grandma
-- actually it was
a car formerly owned by a grandma -- mine. It was a 1949 four-door Ford sedan, battleship gray in
color, with a straight stick.
The closest thing to customizing it was a quick-turn knob I attached to
the steering wheel. My car was
hardly a symbol of cool, but it was all mine.
Some kids borrowed their family’s car to cruise
Custer’s. Borrowing the family car
was the low end of cool, but it did represent a degree of independence and
freedom. Girls were often the
prime borrowers of their families’ cars, since the boys often provided their
transportation. Girls didn’t have
to be cool. They were the object
of cool.
Some cars circled round and round -- some
parked. Circling Custer’s Last
Stand was a little like the Indians circling General Custer and his troops at
Little Bighorn. Cars were backed
into parking places on the back row in order to have a prime view of the parade
of teenage freedom. The stars of
the parade were the half-finished customized ‘49 Mercs with gray primer,
lowered rear-ends, chopped tops, de-chromed and leaded in, dual exhausts,
smooth custom mufflers rumbling, radios blaring out the sounds of the fifties
and drivers’ left arms cocked in open windows. Customized cars were cool. Cruisin’ Custer’s was cool.
If we had any money, we’d punch the call button
on the speaker and wait to hear the familiar, “May I take your order
please?” “I’ll have an order of
fries, double ketchup and a Coke”.
A car-hop, an auto waitress, would bring the order to the car and
carefully (most of the time) attach the tray to the door. It was the haute cuisine of the times. Fries and a Coke were cool.
Custer’s Last Stand was more than fries and a
Coke. Custer’s was a place to see
and be seen. If you weren’t seen,
you were missed. It was a place
for cruisin’ and buzzin’ and parkin’, squealin’ tires a little, dates and
sittin’ close, hangin’ with the guys and checkin’ out the chicks. It was a gathering place, and a place
for making plans. It was a place
to be together and ask the “whys” of the deaths of our friends, Larry and
Jim. They peeled out of Custer’s
one warm summer night and got themselves killed. Our plans didn’t include tragedies, but for the first time
we caught a glimpse of our mortality, but it didn’t last long. Custer’s was the center of our
universe, and we were immortal.
Custer’s was the coolest.
We leaned on the fenders wearing the styles of
the times, ducktails, pegged pants, senior cords, saddle shoes, white bucks and
penny loafers; smokin’ cigarettes, eatin’ fries, drinkin’ Cokes and talkin’
‘bout “stuff”. It was a James Dean
thing. He was our icon of cool,
wearing his red jacket with the collar turned up and his teenage frustrations
out front. He was our Rebel without a Cause. James Dean had been born in Marion,
just like us, and we felt he was our kindred spirit, expressing our inner most
thoughts and feelings as the teenagers of the times. James Dean was cool.
James Dean was killed in a high-speed car crash,
September 30, 1955. It was the day
our
music died. I was just starting
college and sitting in my dorm room when I learned the tragic news. I felt the deep shock you feel when a
famous person you like and can relate to meets a too soon death. His death served as a symbol of a
coming of age, the carefree days of Custer’s were gone forever, and the rest of
my life was beginning. It was my
personal Custer’s Last Stand.
Custer’s Last Stand was eventually torn down and
replaced by a McDonald’s.
Have a nice day!
Sammy Carl
MHS Class of '55
2 comments:
Great post, Sam! Took me back. We were too poor for me to have my own car, so I used my mom's black '61 Plymouth Valiant sedan. The total opposite of cool. That's how I learned to make up for possession coolness by becoming the most interesting kid in the world...
The convenience store is a Casey's. Took me a moment.
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